- Modern Music and After (Paul Griffiths)
- Inferno (Dan Brown)
- Revenge Wears Prada (Lauren Weisberger)
- Under the Tuscan Sun (Frances Mayes)
Simple review of the week: yes, no, no, yes.
Ok, Modern Music and After actually took six weeks to read (the length of my summer theory class). I didn't expect to say this, but I highly recommend this book to anyone wanting to learn more about twentieth-century art music. That's who the book seems aimed at, rather than theorists or musicologists. Also, although a musical background certainly helps, I would imagine that someone without any background would also enjoy this book - just skip over the analytical paragraphs (not that much time is spent on actual theoretical analysis). I'll admit it: there was a large chunk of twentieth-music that I couldn't stand before I took this class and read this book, including the majority of Messiaen's music, which I am totally ashamed to admit now! Contemporary music is SO IMPORTANT, and I fervently believe that anyone is capable of learning to appreciate (if not enjoy) all of the music discussed in this book.
Now to the two new releases: Inferno initially looked like it was going to be the best since Angels and Demons (the only Dan Brown book that I've enjoyed), but it turned out to be a huge disappointment. I won't go into detail because I know a lot of people want to read this book and deserve a spoiler-free read. I'll just say that after a year of graduate school, Brown's writing style absolutely grates on my nerves. Also, I think it seems like he tried to escape his usual formulaic plot structure, but failed...which is almost worse than not trying in the first place.
My response to Revenge Wears Prada: was this even written by the same person?? This is nothing like The Devil Wears Prada. I don't even really know what to say, actually.
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